Sydney Street Photography
Camera : Canon 5D Mark II, Lens : 28mm f/1.8
Sydney Street Photography
Street photography is a genre of photography that features subjects in candid situations within public places and does not necessitate the presence of a street or even the urban environment. ‘Street’ simply refers to a place where human activity can be seen, a place to observe and capture social interaction. The subject can even be absent of any people and can be that of object or environment where an object projects a human character or an environment is decidedly human.
Framing and timing are key aspects of the craft, with the aim of creating images at a decisive or poignant moment. Alternatively, the street photographer may seek a more prosaic depiction of the scene, as a form of social documentary.
Much of what is now widely regarded, stylistically and subjectively, as definitive street photography was made in the era spanning the end of the 19th Century through to the late 1970s; a period which saw the emergence of portable cameras. During the course of its evolution, street photography has provided a diverse and detailed record of street culture. The advent of digital photography, combined with the exponential growth of photo-sharing via the internet, has greatly expanded an awareness of the genre and its practitioners.
Paris is widely accepted as the birthplace of street photography. The cosmopolitan city helped to define street photography as a genre and the photography helped to form the city as well.
Eugene Atget, is regarded as the father of the genre, not because he was the first of his kind, but from his popularity as a Parisian photographer. As the city did, Atget helped to promote the city streets as a worthy subject for photography. He worked in the city of Paris from the 1890s to the 1920s. His subject matter consisted mainly of architecture; stairs, gardens, and windows. He did photograph some workers but it is clear people were not his main focus.
John Thomson, a Scotsman, began photographing the street prior to Atget, and had more of a subject aware style in comparison to Atget. Though he does not receive the same amount of accreditation, Thomson was vital in the transition from photographing only high class, manufactured portraits to capturing everyday life on the streets.
Henri Cartier-Bresson, who has a reputation comparable to Atget, was a 20th century photographer who’s style focused on the actions of people. He was responsible for the idea of taking a picture at the ideal moment. He was influenced by his interest in traditional art, as he desired to be a painter. This influence comes through in his skill of combining timing and technique. Australian street photography, australian street photographer.